源的樣態  The Faces of Water
⼀切皆從信仰中⼼緣起。策展以「圓」為概念，並取⼤甲溪之⽔安落於核⼼，衍⽣⽽出源、聚、界，形塑出⼤茅埔的樣態，展開了識⾒空間，整體象徵著客家遷移的流動，沒有起點也沒有終點，「客」、「家」於⼭⽔之間寄居，同時也寓意著⼤埔客對於⼭⽔⽣活環境永續循環的精神。
All originates from belief. This exhibition starts with the concept of a sphere. At its center are the waters of the Dajia River from which the themes of “origin”, “assembly”, and “beyond” are derived and the existence of Damaopu shaped. Taken together, the various facets of the exhibition symbolize the migration of the Hakka—one of no beginning and no end. Among the waters and mountains of the region, the lives of the Hakka, and the Indigenous peoples that came before them, points to the Dabu Hakka’s spirit of finding sustainable growth within their natural environment.